Saturday, April 10, 2010
The Red One's big brother - Epic.
With the release of CORE I'm now free to look forwards once again. As I'm now inbetween films, I can do some commercial work, recharge my creative batteries, and wait for the inspiration to arrive so I can dive into another project.
I currently have no less than three feature films that are in various stages of production or pre-production (one of them is about climbing), but everything now is at a standstill as far as production is concerned. I get to take a breath and make some careful considerations about what comes next in my own artistic and technical development as a director and cinematographer.
Red, the revolutionary camera company that is bringing cinema-quality gear to market at prices that even hacks like me can afford, has announced the upgrade path to their next generation of camera - the Epic. I'm one of the first in line for the new generation of cameras but I need to consider carefully if now is a good time to upgrade from a camera that is already pretty gosh darn amazing.
On another note, Panasonic has announced plans to release a full 4K Display. This is the first display I've heard of that has the capability to display 4K resolution, which is of course the native resolution of the Red One.
The Panasonic 4K Plasma. If you have to ask how much it costs, you cant afford one.
As I've always said, there's no need for sharp gear when you have fuzzy ideas. And right now I'm creatively depleted from CORE, so time will tell if I step up to the plate and once again pounce on the highest quality cinema gear for my upcoming projects.
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